Subway Suck - Little Red Album (1979)

En norsk godbit i dag - "Little Red Album" med Subway Suck!
"Subway Suck fra Trondheim ble av Polygram prøvd lansert som Norges svar på Sex Pistols etter at de hadde spilt inn og presset NRK!/Æ spyr//I Sold My Ass For Rock`n`roll (Snowball BALL 601) 7" ps 78. Tekstene var imidlertid så rå i følge artist ansvarlig at platen ble trukket tilbake fra lansering. Tekstene som ble for harde for Polygram, står forøvrig på trykk i Nye takter nr 5/79. Det skal visstnok eksistere så mange som ca 25 eksemplarer, resten av opplaget ble destruert.
Bandet så på seg selv som et hardt heavy metal band og følte seg ikke relatert til punken, til tross for Polygrams iherdige forsøk på å være de første i Norge som skulle ri på den Engelske pønk bølgen. Det står respekt av Subway Suck sin holdning til å stå imot lett tjente kroner på å bli lansert som første norske pønkeband. Polygrams holdning derimot minner oss bare om at ethvert opprør, geniun musikk, whatever, kan bli oppkjøpt, men bare hvis vi tillater det".
Kilde: NXP
"Hardrockband fra Trondheim, dannet i 1977 og oppløst i 1980. Subway Suck markerer selve startskuddet for platekarrieren til Dag Ingebrigtsen. Foruten Ingebrigtsen (vokal) besto bandet av Hans Aafløy (gitar, keyboards), Jarl Mosand (bass, keyboards) og Erlend Antonsen (trommer). Bandet deltok i NM i rock 1979, hvor de endte på tredjeplass etter Broadway News og Tornerose. Allerede før denne konkurransen hadde Subway Suck vært i studio og spilt inn sin første LP med produsent Inge Holst Jacobsen. Platen ble utgitt på rød vinyl på selskapet Vertigo i 1979. Et år senere var bandet historie, og Ingebrigtsen stilte på nytt opp i NM i rock, denne gang med The Kids. Senere startet han TNT og laget en av landets mest populære fotballsanger sammen med Torstein Flakne fra Stage Dolls".
Kilde: Norsk pop- og rockleksikon
"Subway Suck var en norsk heavyrock-gruppe startet høsten 1977 som trio, med Erlend Antonsen (trommer), Jarl Mosand (bass) og Hans Aafløy (gitar/vokal). Ga ut singelen NRK/Æ spyr, men Polygram trakk den imidlertid tilbake på grunn av grove tekster. 25 eksemplarer unnslapp makulaturen og er idag samlerobjekter. Besetningen ble supplert med Dag Ingebrigtsen i 1978, og Little Red Album ble utgitt samme år. Bandet kom på 3. plass i NM for rockeband i 1979".
Kilde: Wikipedia
"The Subway Suck was formed as a trio in 1977. They recorded a single, N.R.K., which was banned by the record company. At this point, they joined forces with singer Dag Ingebrigtsen, and began playing gigs. They even played support for The Boys. In 1979 they start working on their debut album, “Subway Suck’s little red album”. This was released later that year, on… red vinyl. In the summer of ’79, the band tried their luck in “Battle of the bands”/”NM for rockeband”, where they came in third place. After this, they head into the studio to begin work on their second album. By now, they have a fall out with the record company, and they are left without a recording deal. At the end of ‘79, they decide to split up the band. Some of the members would later rise to fame (and fortune?) in bands like The Kids, TNT and Stage Dolls".
Source: MySpace

Tracklist: 1. I Have Been In Paradise, 2. Back to Life, 3. You and Me, 4. Split the Band, 5. With a Knife, 6. Tombola Doll, 7. Just In Time, 8. Tomorrow's Gonna Come, 9. When I Die, 10. The Pain of Bein' In Love.
Download (86 Mb): Megaupload / Rapidshare.de

Subway Suck @ Wikipedia / Dag Ingebrigtsen / Unofficial Subway Suck MySpace / Retro Subway Suck T-Shirt

VA - Smokey and the Bandit (1977)

Here's the long out of print soundtrack to the amazing movie "Smokey and the Bandit" from 1977 - one of my favorite childhood flicks.
"The theme music "Eastbound and Down" (A.K.A. "Westbound and Down") was sung by Jerry Reed. The song was written by Jerry Reed (credited under his birth name, Jerry Hubbard) and Dick Feller. It became Reed's signature song and is found on multiple albums, including Country Legends and his live album Jerry Reed: Live Still. In 1991 it was arranged for orchestra by Crafton Beck and recorded by Erich Kunzel and the Cincinnati Pops Orchestra for their album "Down on the Farm".
"Smokey and the Bandit is a 1977 movie starring Burt Reynolds, Sally Field, Jackie Gleason, Jerry Reed, Pat McCormick, Paul Williams, and Mike Henry. It inspired several other trucking films, including two sequels, Smokey and the Bandit II (originally known as Smokey and the Bandit Ride Again in the U.K.), and Smokey and the Bandit Part 3. There were also a series of 1994 television movies (Bandit Goes Country, Bandit Bandit, Beauty and the Bandit and Bandit's Silver Angel) from original director/writer Hal Needham loosely based on the earlier version, with Emmy-winning actor Brian Bloom now playing Bandit. The three original movies introduced two generations of the Pontiac Trans Am (while the TV-movie version drives the Dodge Stealth). The film was the second highest grossing film of 1977, beaten only by Star Wars".
Source: Wikipedia

Tracklist: 1. The Legend, 2. CB Dialogue #1, 3. West Bound and Down, 4. Foxy Lady, 5. CB Dialogue #2, 6. Orange Blossom Special, 7. The Bandit, 8. March of the Rednecks, 9. If You Leave Me Tonight I'll Cry, 10. East Bound and Down, 11. The Bandit, 12. And the Fight Played On!, 13. Ma Cousin Plays Steel, 14. Hot Pants Fuzz Parade, 15. CB Dialogue #3, 16. The Bandit (Reprise).
Download (81 Mb): Megaupload

Smokey and the Bandit @ Wikipedia / Smokey and the Bandit @ IMDB

Coil - Unreleased Hellraiser Soundtrack (1987)

Hellraiser is a 1987 British horror film exploring the themes of sadomasochism, pain as a source of pleasure, and morality under duress and fear. It is based on the critically acclaimed novella The Hellbound Heart by Clive Barker, who also wrote the screenplay and directed the film. In the UK, the film is titled Clive Barker's Hellraiser. It is the first film in the Hellraiser series. Seven subsequent sequels followed with a remake of the first announced in 2007.
Clive Barker originally commissioned a soundtrack for Hellraiser from the industrial band Coil. The music they supplied was rejected, and Christopher Young provided a more traditional orchestral score for the finished movie. Coil's score, which was apparently described by Barker in a complimentary manner as being "bowel churning", has been released in isolation as The Unreleased Themes For Hellraiser and as part of the compilation Unnatural History II (CD) (1995).
Coil's original theme was later covered by the Italian black metal band Aborym on their debut album Kali Yuga Bizarre
The Unreleased Themes for Hellraiser (subtitled The Consequences of Raising Hell) was the fourth album that Coil released in the year 1987. The album was released on the CD, cassette and 10" vinyl. It was the proposed soundtrack to the film Hellraiser. A common misconception is that this version was deamed "too scary" to use, however in all actuality it was turned down because it was not considered commercial enough by the studio. The following quote by Cliver Barker, which was included on the album cover to the vinyl version, may have helped to perpetuate this myth: "The only group I've heard on disc whose records I've taken off because they made my bowels churn"
A-side tracks from the 10"/cassette version and all tracks from the CD version later appeared on the Unnatural History II compilation. B-side tracks from the 10"/cassette version later appeared as a single track on Unnatural History III.
This is the only release on the record label Solar Lodge, with catalog number COIL 1. The cassette version was licensed to Soleilmoon and released in 1990, with catalog number SOL 4. The cassette features a different cover than the CD and vinyl release.

10" Vinyl & Cassette Track List: Side A: "The Unreleased Themes For Hellraiser": 1. Hellraiser, 2. Box Theme, 3. Main Title.
Side B: "Music For Commercials": 1. Airline 1, 2. Liqueur, 3. Perfume, 4. Video Recorder, 5. Airline 2, 6. Natural Gas, 7. Cosmetic 1, 8. Cosmetic 2, 9. Analgesic, 10.Road Surface, 11.Accident Insurance.
CD Track List: 1. Hellraiser Themes, 2. The Hellbound Heart, 3. Box Theme, 4. No New World, 5. Attack of the Sennapods, 6. Main Title.
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Charles Manson - Lie (1970)

This is the 1970 LP released originally by Phil Kaufman in an edition of 3,000 copies. The cover was designed by Al Swerdloff, a friend of Phil's. The first & last songs were originally issued as a single under the name Silverhawk in 1968. Dr. Demento has a copy of the Silverhawk single and is quite proud of it. The master tapes for the single had been lost when the LP was originally compiled so the single was used as the source for the LP master tape. The LIE LP was quickly reissued in 1971 by ESP Records and has been reissued countless times since then.
Most of the material was recorded on Sept. 11, 1967 at the legendary Goldstar Studios in Los Angeles. On August 9, 1968 Charles and his friends went back into the studio for an overdub session. A final recording session took place during the summer of 1969 where the preamble to Arkansas and I'll Never Say Never To Always were recorded especially for this release.
Personnel: Charles Manson; lead vocals, rhythm guitar, timpani, Bobby Beausoleil; electric guitar, Paul Watkins; french horn, Catherine Share; violin, Dianne Lake; recorder, Steve Grogan; electric bass, Mary Brunner; flute. Vocals on track 6; Nancy Pittman. Vocals on track 8; Sandra Good, Catherine Share, Lynette Fromme, Nancy Pittman & Cho-Cho. Backup vocals by Everybody.

Tracklist: 1. Look At Your Game, Girl, 2. Ego, 3. Mechanical Man, 4. People Say I'm No Good, 5. Your Home Is Where You're Happy, 6. Arkansas, 7. I'll Never Say Never to Always, 8. Garbage Dump, 9. Don't Do Anything Illegal, 10. Sick City, 11. Cease to Exist, 12. Big Iron Door (Clang Bang Clang), 13. I Once Knew Knew a Man, 14. Eyes of a Dreamer.
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This is a fresh Dualtrack transfer from previously unplayed first edition vinyl. 320 kbps mp3s. HQ scan of cover included in the archive.

I NEED THAT RECORD!!!

"I Need That Record" is a documentary feature examining why over 3000 independent record stores have closed across the U.S. in the past decade. Are they going to die off? Will they survive?
Since the 1890s the record store was THE place to go for prerecorded music, but today the way we access and consume music has been redefined by technology. Ecommerce, iTunes, the iPod, P2P networks, music blogs, and social networking sites have all had a profound impact on the way we access music and on the state of the independent record store. Downloading and pirating seem to be the easy answers to the chaotic state of the music industry, but higher powers like major labels, big box stores (Wal-Mart, Target, Best Buy etc.), and corporate owned FM radio are also shaking things up.
The music industry has always been a unique marriage of art and commerce, but today commerce has proved to be the ultimate influence. Rather than develop great acts, embrace new technology, offer affordable products; the major labels are more concerned with turning the clocks back to preserve old business models - with only one thing in mind - THE BOTTOM LINE.
Keep the full paid expense accounts and 7 figure incomes. Keep suing fans. Keep shoving bland music down people's throats that will sell x amounts. Keep producing homogenized radio programs that play the same 50 songs. Keep supporting big box businesses that could care less about music; businesses that sell music below list price. Keep screwing the consumers and retailers who love and care about good captivating music. Squash new ideas, new innovations, and new possibilities as the future of recorded music, a commodity that supports the artist, vanishes.
While it would appear that the internet is the new force for musical discovery and delivery independent record stores have been, and still are a strong force on the musical experience.
Record stores serve as important community spaces that provide foundations for new musical and artistic scenes and movements, a place where unique under the radar bands have been continuously supported, a place where the underground can thrive, a place where independent thought is encouraged and challenged, a place where people of different ages, races, and taste can mix and mingle face to face.
Unlike the internet, physical stores are a real place, with real people, where community is formed and supported. Not just record stores, but original mom and pop main street stores are all in a fight to stay alive. Independent businesses are hubs for new jobs, new innovations, and creative thought.
Over the past ten years it has become increasingly harder to compete with big chain businesses that have big money and Congress protecting them. The rich and powerful in business and government have thrown a wrench in the wheels of progress. American culture has become more isolated and atomized as a result of homogenous culture and thought. Businesses and establishments that make different parts of America distinct from one another are disappearing. In order to save community, ourselves, and our world what we need are independent creative places where new ideas and thought can be nurtured. Not more of the same...
Through found footage, expository voice over, talking head interviews with artists, musicians, retail owners, and animation "I Need That Record" will tell the story of our connection to independent record stores and the importance of independent thought and culture. What happened to the stores and what will the future bring...

Some interviews include: Thurston Moore of Sonic Youth, Ian Mackaye of Dischord Records Fugazi/Minor Threat/Teen Idles, Patterson Hood of Drive-By Truckers, Chris Frantz of the Talking Heads, Pat Carney of the Black Keys, Mike Watt of the Minutemen/reunited Stooges, Noam Chomsky, guitar composer Glenn Branca, punk author Legs McNeil, rock photographer Bob Gruen, Bryan Poole guitarist of Of Montreal, Numero Records, Rhino Records, Bloodshot Records, United Record Press (the largest vinyl plant in the U.S.), and many many many indie stores across the U.S. (NYC, Boston, DC, Cleveland, Detroit, Ann Arbor, Chicago, Minneapolis, Memphis, Nashville, L.A.).

I Need That Record Blog

Bob Seger - Back In '72 (1973)

"With the single exception of "Smokin' O.P.'s", rereleased on compact disc by Capitol in 2005, all of Seger's albums prior to Beautiful Loser (1975) (the pre-Silver Bullet Band releases) have long remained out of print and command extremely high prices if offered for sale. As of March 2007, genuine prints of the brief 1993 Capitol CD release of Ramblin' Gamblin' Man are offered for over US$180 on various on-line marketplaces".
Source: Wikipedia

"Returning to independent status, Bob Seger recorded Back in '72, not only the finest of his early-'70s albums but one of the great lost hard rock albums of its era. Seger didn't limit himself to self-penned songs on this excursion; borrowing an idea from Smokin' O.P.'s, he covers quite a few tunes, providing a balance to his own tunes. He makes "Midnight Rider" sound as if it were a Motor City raver instead of a sultry, late-afternoon Southern rocker, while casually tossing off "Rosalie," an irresistible ode to a local DJ that turned into a hard rock anthem when Thin Lizzy decided to record it later in the decade. That's the brilliance of Back in '72 -- there's no separation between the original and cover, it's all united in a celebration of rock & roll. That's why "Turn the Page," perhaps the weariest travelogue ever written, never feels self-pitying -- that's just the facts, according to a first-rate Midwestern band that never got a break. All the same, Back in '72 is a testament to great rock & roll, thanks to Seger's phenomenal songwriting and impassioned playing".
Source: Allmusic.com

Tracklist: 1. Midnight Rider, 2. So I Wrote You a Song, 3. Stealer, 4. Rosalie, 5. Turn the Page, 6. Back In '72, 7. Neon Sky, 8. I've Been Working, 9. I've Got Time.
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Smashing Pumpkins - Machina II: The Friends & Enemies of Modern Music (2000)

With the release of their new album "Zeitgeist" the newly reformed Smashing Pumpkins are back on track - and what better way to celebrate their return than to offer you a download of the "Machina II" album and the three EP's.

"Machina II: The Friends & Enemies of Modern Music" is an album by the Smashing Pumpkins that was released for free on the Internet on September 5, 2000. A sequel to "Machina: The Machines of God", it has thus far not had a commercial release. It consists of three EPs full of B-sides and alternate versions, and one double LP which is the actual album. Both "Machina" albums are concept albums. At the time the album was released it was to be the final Smashing Pumpkins studio album

Near the conclusion of the Machina sessions, it was Billy Corgan's wish to release a double album of material, but Virgin Records was unwilling to do that following the disappointing sales of Adore. After the release, and poor sales, of the single-disc Machina/The Machines of God, Corgan then wanted to release a second Machina album separately, but Virgin declined to do this as well. As a final farewell to the fans, and as a snub to the unsupportive label (as evidenced by the album's title), it was released independently as "Machina II: The Friends & Enemies of Modern Music". The album was released on Corgan's own label Constantinople Records. Only 25 total copies were made. The records were shipped via FedEx to several heavily active fans in the online community, with instructions to immediately redistribute it among the fans.

Because of the high interest in the album and its extreme rarity at 25 copies, a vinyl "Machina II" can be considered a holy grail for Pumpkins fans. On August 5, 2005 the Q101 copy (#19/25) was put up for sale on eBay. The seller decided to end the auction four days early when the bidding had reached $10,000 from a bidder in France. This bidder has since disclosed that there was a mutual agreement after the auction was ended to cancel the sale transaction. It remains to be seen if this copy (or any other) will go up for sale again publicly in the near future, but the episode suggests that an original vinyl copy could fetch a five-figure sum.

A number of a release sources exist for "Machina II". All of them are sourced from vinyl.
Virgin Promos: This source is from in-house promo CDs made at Virgin Records (sourced from the vinyls), made before Machina II was released to the public over the Internet. Two versions of the promos exist, a UK (type I) and U.S. (type II) version, both with 4 CDs corresponding to the vinyl copies. As it was done in-house at a record company it generally assumed to be a high-quality transfer, though some of the faint voices which can be heard in the background before some of the EP songs are cut off, and in general it is missing a considerable amount of audio between song transitions.
Q101 Transfer: As mentioned above, the radio station Q101 received one of the 25 vinyl copies. It was subsequently transferred to 2 CDs by the station (one CD containing the EP tracks and one containing the LP tracks). Because the transfer was done by a high profile radio station (presumably with high-end equipment and professional oversight) many assume the transfer to be of good quality. Copies were given away as prizes from the station.
SPIFC Transfer: The SPIFC transfer was produced from a vinyl copy by a member of the SPIFC. A transfer was eventually performed onto two CDs with "high-end" equipment. The SPIFC offers MP3 downloads of the transfer to members and held a contest giving away CD-R copies. When analyzed the audio from the SPIFC transfer shows a 21 kHz tone which casts some doubt on the quality of the transfer.
MP3 Web Releases: Following the vinyl release a number of MP3 versions quickly surfaced on the web. A select number of people involved in the Smashing Pumpkins online fan community received one of the 25 releases. Using audio equipment they had immediate access to these were recorded onto computer, encoded to MP3 and quickly released for the masses. Later MP3 releases may be from one of the CD sources listed above or newer lesser known transfers.
Commercial Releases: Four tracks from "Machina II" have been released commercially. These are of specific note, because these versions were sourced from the master tapes rather than amateur vinyl transfers. "Real Love" was featured on the Rotten Apples compilation. "Lucky 13" and "Slow Dawn" appeared on Judas O, which was included with early copies of Rotten Apples. The Machina II version of "Try, Try, Try" was one of the B-sides to the "Untitled" single, titled "Try, Try, Try (Alternate Version)." The studio banter that preceeds "Try, Try, Try" on "Machina II" has been removed from this version."
Source: Wikipedia

This is the 320 kbps version of the album, made available on Billy Corgan's official website - probably the best quality version you'll ever come across.

Machina II: The Friends & Enemies of Modern Music:
EP1 (CR-01): 1. Slow Dawn, 2. Vanity, 3. Saturn9, 4. Glass (Alt. Version).
Download - MegaUpload
EP2 (CR-02): 1. Soul Power, 2. Cash Car Star (Version 1), 3. Lucky 13, 4. Speed Kills (But Beauty Lives Forever).
Download - MegaUpload
EP3 (CR-03): 1. If There Is a God (Piano Version), 2. Try (Version 1), 3. Heavy Metal Machine (Version I/Alt. Mix).
Download - MegaUpload
LP (CR-04): 1. Glass, 2. Cash Car Star, 3. Dross, 4. Real Love, 5. Go, 6. Let Me Give the World to You, 7. Innosense, 8. Home, 9. Blue Skies Bring Tears (Version Electrique), 10. White Spyder, 11. In My Body, 12. If There Is a God, 13. Le Deux Machina, 14. Atom Bomb.
Download - MegaUpload

For more Smashing Pumpkins related info & goodies - including tons of live bootlegs & rarities - go to:
The Smashing Pumpkins Audio Archive
ThePumpkins.net

Do yourself a favor and check out the movie "Zeitgeist" - an independent movie about what Christianity, 9/11 and The Federal Reserve all have in common.

The Stooges - The Weirdness (Vinyl Only Bonus Tracks) (2007)

Forty years after the band first formed in Ann Arbor, Mich., The Stooges and their inexhaustibly explosive frontman Iggy Pop have returned with a new album. The Weirdness is the group's first full album of new material since 1973's Raw Power.
The new recording features The Stooges' original guitarist Ron Asheton, his brother, drummer Scott Asheton and saxophonist Steve Mackay, with Mike Watt from the punk band the Minutemen on bass. The Stooges' original bassist Dave Alexander died in 1975.
The Stooges wrote more than 30 songs for the new record at a cottage in Fla., then rehearsed in Ann Arbor, Mich. before they entered the Chicago studio of esteemed producer Steve Albini (sic) in early October of 2006. The album was mastered in the UK at the legendary Abbey Road Studios.
Iggy Pop decided to reform The Stooges in 2003 while he was working on his latest solo album Skull Ring. He invited the Asheton-brothers to contribute to four songs on the disc and the reunion seeds were planted. Then, in April of that year, the full band (with Watt on bass) played its first show together in 30 years at the Coachella Valley Music and Arts Festival in Coachella, California.
Though they only released three records between 1969 and 1973 before breaking up, the Stooges were and remain one of the most influential rock bands of all time. Now considered ahead of their time, The Stooges laid the foundation for punk rock.
The double vinyl edition has four extra tracks not available on other formats - including a cover of the Lennon/McCartney-song I Wanna Be Your Man.

Tracklist:
1. O Solo Mio
2. Claustrophobia
3. I Wanna Be Your Man
4. Sounds of Leather

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Bad Religion - Into the Unknown (1983)

Into the Unknown is the second album by Bad Religion, which was released in 1983. The album was a major change from their previous style, delving into progressive rock heavy in keyboards, though it wasn't at all popular as fans at the time were confused by the sudden style shift. When the band released the 1991 compilation album 80-85, a collection of recordings before their third album Suffer, Into the Unknown was not part of the compilation, also partly due to the band changing their style.
The album is widely reputed to have been a major factor in their 1984 breakup as the recording sessions were riddled with discord. As a matter of fact, drummer Pete Finestone and bass player Jay Bentley left during the recording of the first song.
Only 10.000 of these albums were produced and distributed, but almost all were quickly returned to Epitaph's warehouse. Guitarist Brett Gurewitz jokingly recalls having "[sent out] ten thousand copies and [getting] eleven thousand back." However, many did in fact end up in the hands of fans, when Brett Gurewitz's girlfriend Suzy Shaw, who worked at the warehouse, surreptitiously sold all but 300 of them.
The album is generally disowned by the band, and there has never been a second pressing. Despite its abandonment however, it has become highly desirable and is now something of a collector's item. The band has commented on the album on their site saying that they are not trying to hide it from fans, and that anyone who listens to it will understand why they have never re-released it.
Source: Wikipedia

Tracklist: 1. It's Only Over When…, 2. Chasing the Wild Goose, 3. Billy Gnosis, 4. Time and Disregard, 5. The Dichotomy, 6. Million Days, 7. Losing Generation, 8. …You Give Up.

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Kiss - Best of Solo Albums (1981)

The Best of Solo Albums was released exclusively in Europe and is a "greatest hits" of the four solo albums from the members of Kiss, released back in 1978. Best of Solo Albums featured three songs from each members album. Considering the quality of the songs the album probably would be better of with less tracks from Gene Simmons and Peter Criss, and some more from Ace Frehley or Paul Stanley... but regardless of that its a pretty cool compilation of tracks spawning from one of the most retarded ideas in rock history.

Tracklist: 1. Ace Frehley - New York Groove, 2. Ace Frehley - Rip It Out, 3. Ace Frehley - Speedin' Back to My Baby, 4. Peter Criss - You Matter to Me, 5. Peter Criss - Tossin' and Turnin', 6. Peter Criss - Hocked On Rock and Roll, 7. Gene Simmons - Radioactive, 8. Gene Simmons - Mr. Make Believe, 9. Gene Simmons - See You In Your Dreams, 10. Paul Stanley - Tonight You Belong to Me, 11. Paul Stanley - Move On, 12. Paul Stanley - Hold Me, Touch Me (Think of Me When We're Apart).

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