Amazon.com just made my day! As a fanatic Mötley Crüe fan I nearly wet my pants when I found out that Amazon has put up previews of all 13 tracks of their coming masterpiece "Saints of Los Angeles". The Crüe has been one of my favorite bands since I was 12 years old - I can't help it :) Listen to the previews HERE!
"Mötley Crüe (IPA pronunciation: /'mɒtli kru/) is an American glam metal/heavy metal band formed in Los Angeles, California in 1981. The band was founded by bass guitarist Nikki Sixx (who was, at the time, in a band called London) and drummer Tommy Lee, who were later joined by lead guitarist Mick Mars (whom Sixx first met at a liquor store, before they met again through a classified ad) and singer Vince Neil. Mötley Crüe has sold over 72 million album copies worldwide, including 25 million copies in the US alone. The band has often been noted for their hard-living lifestyles; all members have had numerous brushes with the law, spent time in jail, suffered long addictions to alcohol and drugs, had countless escapades with women, and are heavily tattooed. Their ninth studio album entitled Saints of Los Angeles is due to be released on June 17, 2008, while a film adaptation of their best-selling band autobiography The Dirt, is due to be released sometime in 2009". Source: Wikipedia
Every Tuesday the alternative icon that is Henry Rollins let's it rip on live radio - and every week Angela over at the Rollins Archive posts the show for you and me to download. "On May 17, 2004, Rollins began hosting a weekly radio show, Harmony in My Head on Los Angeles' Indie 103.1 radio. The show aired every Monday evening, with Rollins playing a variety of music ranging from early rock and jump blues to hard rock, blues rock, folk rock, punk rock, metal and rockabilly, but also touching on rap, jazz, world music, reggae, classical music and more. Harmony In My Head often emphasizes B-sides, live bootlegs and other rarities, and nearly every episode has featured a song by British group The Fall. Rollins put the show on a short hiatus to undertake a spoken-word tour in early 2005. Rollins posted playlists and commentary on-line; these lists were expanded with more information and published in book form as Fanatic! through 2.13.61 in November 2005. In late 2005, Rollins announced the show's return and began the first episode by playing the show's namesake Buzzcocks song. As of 2008, the show continues each week despite Rollins' constant touring with new pre-recorded shows between live broadcasts". Source: Wikipedia
I finally got my hands on this hard-to-get limited edition Turbonegro EP released late last year - so here it is for your enjoyment! This EP is sort of a mini compilation, as it features tracks from four different albums - but unfortunately no rare tracks. Some more info: Limited edition 6-track EP (2.000), with stamped number on the backside. It has a banner across the bottom of the front cover that reads: "2007 European Tour - Collector's Edition". Released by Scandinavian Leather Recordings (Norway) & Edel (Germany). Source: Turbonegro Archive
Tracklist: 1. Boys From Nowhere, 2. Get It On, 3. I Got Erection, 4. Sailor Man (Live), 5. I Will Never Die, 6. Punk Pals. Download (29 Mb): Megaupload / Rapidshare
This is the 1970 LP released originally by Phil Kaufman in an edition of 3,000 copies. The cover was designed by Al Swerdloff, a friend of Phil's. The first & last songs were originally issued as a single under the name Silverhawk in 1968. Dr. Demento has a copy of the Silverhawk single and is quite proud of it. The master tapes for the single had been lost when the LP was originally compiled so the single was used as the source for the LP master tape. The LIE LP was quickly reissued in 1971 by ESP Records and has been reissued countless times since then. Most of the material was recorded on Sept. 11, 1967 at the legendary Goldstar Studios in Los Angeles. On August 9, 1968 Charles and his friends went back into the studio for an overdub session. A final recording session took place during the summer of 1969 where the preamble to Arkansas and I'll Never Say Never To Always were recorded especially for this release. Personnel: Charles Manson; lead vocals, rhythm guitar, timpani, Bobby Beausoleil; electric guitar, Paul Watkins; french horn, Catherine Share; violin, Dianne Lake; recorder, Steve Grogan; electric bass, Mary Brunner; flute. Vocals on track 6; Nancy Pittman. Vocals on track 8; Sandra Good, Catherine Share, Lynette Fromme, Nancy Pittman & Cho-Cho. Backup vocals by Everybody.
Tracklist: 1. Look At Your Game, Girl, 2. Ego, 3. Mechanical Man, 4. People Say I'm No Good, 5. Your Home Is Where You're Happy, 6. Arkansas, 7. I'll Never Say Never to Always, 8. Garbage Dump, 9. Don't Do Anything Illegal, 10. Sick City, 11. Cease to Exist, 12. Big Iron Door (Clang Bang Clang), 13. I Once Knew Knew a Man, 14. Eyes of a Dreamer. Download (70 Mb): Rapidshare
This is a fresh Dualtrack transfer from previously unplayed first edition vinyl. 320 kbps mp3s. HQ scan of cover included in the archive.
HERE's the brand new episode of Heidi May's workplace harassment of Henry Rollins - Clip of the Month. This time Heidi's been drawing on Hank with a sharpie - much to her own amusement!
"I Need That Record" is a documentary feature examining why over 3000 independent record stores have closed across the U.S. in the past decade. Are they going to die off? Will they survive? Since the 1890s the record store was THE place to go for prerecorded music, but today the way we access and consume music has been redefined by technology. Ecommerce, iTunes, the iPod, P2P networks, music blogs, and social networking sites have all had a profound impact on the way we access music and on the state of the independent record store. Downloading and pirating seem to be the easy answers to the chaotic state of the music industry, but higher powers like major labels, big box stores (Wal-Mart, Target, Best Buy etc.), and corporate owned FM radio are also shaking things up. The music industry has always been a unique marriage of art and commerce, but today commerce has proved to be the ultimate influence. Rather than develop great acts, embrace new technology, offer affordable products; the major labels are more concerned with turning the clocks back to preserve old business models - with only one thing in mind - THE BOTTOM LINE. Keep the full paid expense accounts and 7 figure incomes. Keep suing fans. Keep shoving bland music down people's throats that will sell x amounts. Keep producing homogenized radio programs that play the same 50 songs. Keep supporting big box businesses that could care less about music; businesses that sell music below list price. Keep screwing the consumers and retailers who love and care about good captivating music. Squash new ideas, new innovations, and new possibilities as the future of recorded music, a commodity that supports the artist, vanishes. While it would appear that the internet is the new force for musical discovery and delivery independent record stores have been, and still are a strong force on the musical experience. Record stores serve as important community spaces that provide foundations for new musical and artistic scenes and movements, a place where unique under the radar bands have been continuously supported, a place where the underground can thrive, a place where independent thought is encouraged and challenged, a place where people of different ages, races, and taste can mix and mingle face to face. Unlike the internet, physical stores are a real place, with real people, where community is formed and supported. Not just record stores, but original mom and pop main street stores are all in a fight to stay alive. Independent businesses are hubs for new jobs, new innovations, and creative thought. Over the past ten years it has become increasingly harder to compete with big chain businesses that have big money and Congress protecting them. The rich and powerful in business and government have thrown a wrench in the wheels of progress. American culture has become more isolated and atomized as a result of homogenous culture and thought. Businesses and establishments that make different parts of America distinct from one another are disappearing. In order to save community, ourselves, and our world what we need are independent creative places where new ideas and thought can be nurtured. Not more of the same... Through found footage, expository voice over, talking head interviews with artists, musicians, retail owners, and animation "I Need That Record" will tell the story of our connection to independent record stores and the importance of independent thought and culture. What happened to the stores and what will the future bring...
Some interviews include: Thurston Moore of Sonic Youth, Ian Mackaye of Dischord Records Fugazi/Minor Threat/Teen Idles, Patterson Hood of Drive-By Truckers, Chris Frantz of the Talking Heads, Pat Carney of the Black Keys, Mike Watt of the Minutemen/reunited Stooges, Noam Chomsky, guitar composer Glenn Branca, punk author Legs McNeil, rock photographer Bob Gruen, Bryan Poole guitarist of Of Montreal, Numero Records, Rhino Records, Bloodshot Records, United Record Press (the largest vinyl plant in the U.S.), and many many many indie stores across the U.S. (NYC, Boston, DC, Cleveland, Detroit, Ann Arbor, Chicago, Minneapolis, Memphis, Nashville, L.A.).
Amazon.com just made my day! As a fanatic Mötley Crüe fan I nearly wet my pants when I found out that Amazon has put up previews of all 13 tracks of their coming masterpiece "Saints of Los Angeles". The Crüe has been one of my favorite bands since I was 12 years old - I can't help it :)
