Monday, April 30, 2007

Bad Religion - Sentrum Scene, Oslo 13.03.1996

Since I'm going to Oslo this week to see Sanctity, Annihilator and Trivium at Sentrum Scene, I won't be posting much here in the coming days. In the meantime you can enjoy this recording from the last time I was at Sentrum Scene, way back in 1996, to see the American punk legends Bad Religion.
This is a very low circulation bootleg from The Gray Race tour, with great sound quality. It's imported straight from the master tape and converted to mp3's. There's some minor glitches here and there because of problems with the recorder, and the songs Fuck Armageddon and Faith Alone are missing the end and beginning due to turning the tape - and the last track, Best For You, is cut short due to running out of tape...
Included in the zip-file are scans of the flyer, an ad from a newspaper, the ticket and a review of the show from the Norwegian newspaper Dagbladet. Enjoy!

Tracklist: 1. American Jesus, 2. No Control, 3. The Handshake, 4. 21st Century Digital Boy, 5. The Gray Race, 6. Drunk Sicerity, 7. Anesthesia, 8. What It Is, 9. Watch It Die, 10. Modern Man, 11. Change of Ideas, 12. Parallel, 13. Cease, 14. You Are the Government, 15. A Walk, 16. Do What You Want, 17. Fuck Armageddon... This Is Hell, 18. Faith Alone, 19. Punk Rock Song, 20. Along the Way, 21. Suffer, 22. Generator, 23. Empty Causes, 24. Come Join Us, 25. Pessimistic Lines, 26. The Answer, 27. Leave Mine to Me, 28. Pity the Dead, 29. Recipe For Hate, 30. Infected, 31. Ten In 2010, 32. We're Only Gonna Die, 33. Lookin' In, 34. Best For You.

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Saturday, April 28, 2007

Machine Head - Aesthetics of Hate (2007)


The first video from Machine Head's fantastic new album The Blackening! Enjoy!

VA - Where the Pyramid Meets the Eye: A Tribute to Roky Erickson (1990)

Roky Erickson often seems to be better known in rock circles for his well publicized psychological maladies and his less-than-gentle treatment at the hands of Texas' judicial system than for his music - and that's a shame. While Roky's habit of informing anyone who asks that he's a Martian or is in contact with Satan makes for good fanzine copy, the best reason to be interested in Erickson is his songwriting - there's a graceful, vivid surrealism to his lyrical style that's endured far better than most of the noodlers who came out of the psychedelic rock movement, and his later bursts of horror film fancy conjure up a troubling tension that's laughed at only by the shallow or ignorant.
When Erickson's legal problems came to a head in the late 1980s, longtime fan and Sire Records executive Bill Bentley assembled Where the Pyramid Meets the Eye: A Tribute to Roky Erickson to raise money for Erickson, as well as drawing attention to the unique beauty of his music. Like most multi-artist tribute albums, the results are a bit uneven; some of these artists seem to have appeared out of convenience rather than any great love of Roky's music, and a few of the interpretations are simple miscalculations (Thin White Rope's Guy Kyser really goes overboard on his version of Burn the Flames). But there are a several moments of very real beauty and power here, especially from the artists who share Erickson's Texas heritage - Doug Sahm and ZZ Top rock out on their contributions, the Butthole Surfers' version of Earthquake is one of their finest moments on wax, and T-Bone Burnett's take on Nothing in Return is a heart-tugging gem.
The 13th Floor Elevators' first two albums are still the best place to sample Erickson's music (and the latter-day All That May Do My Rhyme is a fine album, for which Erickson actually receives royalties - hint, hint), but Where the Pyramid Meets the Eye is a sincere if inconsistent tribute to his work, and shows how well his songs can translate to the styles of other artists.
Source: All Music Guide

Tracklist: 1. ZZ Top - Reverberation (Doubt), 2. John Wesley Harding & The Good Liars - If You Have Ghosts, 3. Poi Dog Pondering - I Had to Tell You, 4. Judybats - She Lives (In a Time of Her Own), 5. Primal Scream - Slip lnside This House, 6. Bongwater - You Don't Love Me Yet, 7. Julian Cope - I Have Always Been Here Before, 8. Doug Sahm & Sons - You're Gonna Miss Me, 9. Southern Pacific - It's a Cold Night For Alligators, 10. Richard Lloyd - Fire Engine, 11. Vibrating Egg - Bermuda, 12. R.E.M. - I Walked With a Zombie, 13. Butthole Surfers - Earthquake, 14. Lou Ann Barton - Don't Slander Me, 15. Sister Double Happiness - Red Temple Prayer (Two Headed Dog), 16. Thin White Rope - Burn the Flames, 17. Chris Thomas - Postures (Leave Your Body Behind), 18. T Bone Burnett - Nothing In Return, 19. The Jesus & Mary Chain - Reverberation (Doubt).

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Thursday, April 26, 2007

VA - Scandinavian Friends: A Tribute to Roky Erickson (2007)

A brand new Scandinavian tribute to the great Roky Erickson - hard to find outside of Scandinavia, so here it is for your enjoyment.
This tribute features outstanding versions of some of Roky's best songs from top notch Norwegian, Swedish and Danish bands such as Madrugada, Baby Woodrose, Backstreet Girls, We and The Hellacopters.
Roky Erickson is finally coming to Europe and are confirmed at the Hultsfred Festival in Sweden and the Øya Festival in Norway.
All the proceeds from this album will be donated to Roky's trust fund as a gift for his 60th birthday this summer, so if you like this album and Roky pick up a copy if you can find it!

Tracklist: 1. The Cheaters - Reverbation (Doubt), 2. Sweet Honey Pie - Witchcraft, 3. Baby Woodrose - I Don't Ever Want to Come Down, 4. Rooky - Stand For the Fire Demon, 5. The Hellacopters - Cold Night For Alligators, 6. Los Plantronics - You're Gonna Miss Me, 7. The Mainliners - Bloody Hammer, 8. Grand Café - Sputnik, 9. On Trial - I Have Always Been There Before, 10. Backstreet Girls - Crazy Crazy Mama, 11. Thee Mono Sapiens - Two Headed Dog, 12. We - Cold Night For Alligators, 13. The Sacred Sailors - White Faces, 14. Madrugada - Slip Inside This House, 15. Neperud - I Walked With a Zombie.

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Bad Religion - Hate Yourself: Live In Vienna, Austria 28.08.1989

Hate Yourself is one of the "classic" Bad Religion bootlegs that every punk fan should have. Recorded in Vienna, Austria on the European leg of the Suffer tour in 1989. Released on CD in 1991 by the bootleg label Live Life.
This bootleg is often mislabeled as being a show from the Netherlands or the UK, but it is in fact the same show as the one released on vinyl as We're Not the Damned - the show in Vienna on August 28th 1989. Enjoy!

Tracklist: 1. Land of Competition, 2. 1000 More Fools, 3. Doing Time, 4. Damned to Be Free, 5. The Numbers Game (Part II), 6. Latch Key Kids, 7. When?, 8. Along the Way, 9. Do What You Want, 10. White Trash (2nd Generation), 11. How Much Is Enough, 12. Delirium of Disorder, 13. Drastic Actions, 14. You Are the Government, 15. Yesterday, 16. What Can You Do, 17. Frogger, 18. Voice of God Is Government, 19. We're Only Gonna Die, 20. Part III, 21. I Give You Nothing, 22. Fuck Armageddon... This Is Hell, 23. Suffer, 24. Pessimistic Lines, 25. Best For You, 26. Medley: Bad Religion/The Numbers Game/Part II/World War III.

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Wednesday, April 25, 2007

Kiss - Ace's Last Stand: Western Springs Stadium, Auckland, New Zealand, 03.12.1980

I finally found it again! This is Kiss live at the Western Springs Stadium in Auckland, New Zealand on December 3rd 1980. The final show of the Unmasked tour, and Ace Frehley's last full show as a member of Kiss until the reunion tour in 1996.

Ace Frehley @ Wikipedia:
"Paul Frehley (April 27th 1951) was born and raised in The Bronx, and was the youngest of three children. The Frehleys were a musical family, and when Ace received an electric guitar as a Christmas present in 1964, he immersed himself in learning the instrument. Frehley has cited guitarists such as Pete Townshend and Jeff Beck as his major musical influences.
When Frehley's band, Cathedral, started earning a series of paying gigs, Frehley dropped out of high school. At the insistence of his family and girlfriend, Frehley eventually returned and earned his diploma. After graduation, Frehley held a string of short-term jobs as a mail carrier, furniture deliverer, messenger and liquor store delivery boy.
Frehley spent the early 1970s in a series of bands, none of which achieved any success. In January 1973, best friend, Bob McAdams, spotted an advertisement for a lead guitarist in the Village Voice. Bob showed the ad to Ace. Both Bob and Ace went to 10 East 23rd Street above the Live Bait Bar. Ace auditioned for the trio of Paul Stanley (rhythm guitar), Gene Simmons (bass guitar) and Peter Criss (drums). Frehley (who showed up wearing one red sneaker and one orange sneaker) was less than impressive visually, but the band liked what they heard from his playing. About three weeks after Frehley auditioned, the new group named him their lead guitarist. By mid-1973, the unnamed band decided on a name - Kiss. Frehley designed the band's unique, double-lightning-bolt logo. The band quickly decided to paint their faces for live performances, and Frehley decided to start painting silver stars on his eyes. When the group eventually decided to adopt stage personas to go with their makeup designs, Frehley became "Space Ace," an alien visitor from the planet of Jendel.
As lead guitarist, Frehley was known for his frenetic, atmospheric playing, becoming one of the most popular guitarists in the 70s and spawning a generation of new players.
Frehley's songwriting presence within the group increased in 1979, contributing 2 originals and a cover (The Rolling Stones' 2000 Man) for 1979's Dynasty and 3 originals for 1980s Unmasked. While this was not the best time for Kiss on a commercial level in the United States, they were only just beginning to take off in other countries (mostly in Australia where Dynasty and Unmasked are their highest selling albums). But even as his songwriting role within Kiss was increasing, Frehley found himself increasingly at odds with the musical direction of the band. After Peter Criss left Kiss in 1980, Frehley was often outvoted 2-1 in band decisions, as replacement drummer Eric Carr was not a partner in Kiss and had no vote. Frehley's participation in the recording of 1981's Music from "The Elder" was far more limited than with previous albums. This was, in large part, due to his unhappiness with the band's decision to create a concept album rather than a straightforward rock album.
Exacerbating the situation was Frehley's escalating erratic behavior and substance abuse. In April 1982, Frehley was involved in a serious automobile accident (although Anton Fig was the driver). In May, he led police on a 90-mph car chase on the Bronx River Parkway. This incident led to a $600 fine and a six-month suspension of his driver's license.
Although Frehley appeared on the covers for 1982's greatest hits album Killers and studio album Creatures of the Night, he had no involvement with either project. Frehley's last appearances with the band were the video for "I Love it Loud," a series of European promotional appearances in November 1982 and a band interview with MTV in early 1983 promoting their world tour"
Enjoy the show!

Tracklist:
Disc 1: 1. Detroit Rock City, 2. Cold Gin, 3. Strutter, 4. Shandi, 5. Calling Dr. Love, 6. Firehouse, 7. Talk to Me, 8. Is That You, 9. 2000 Man, 10. Ace Frehley's Guitar Solo
Disc 2: 1. I Was Made For Loving You, 2. New York Groove, 3. Love Gun, 4. God of Thunder, 5. Rock N' Roll All Nite, 6. Shout It Out Loud, 7. King of the Night Time World, 8. Black Diamond.

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Accept - Agora Ballroom, Cleveland 27.03.1984

The finest of treats for lovers of 80's metal - the mighty Accept live at the Agora Ballroom in Cleveland back in 1984!
This recording was made right after the release of Accept’s fifth album, Balls to the Wall - seven years after vocalist Udo Dirkschneider formed his powerful German metal band in Cologne. Though the group had become a festival/arena headlining act in Europe, they were virtually unknown in the U.S., and this was their first American tour. Balls to the Wall was also their debut album in America, and was backed heavily by the SONY-owned imprint, Portrait Records.
The group had come under the supervising eye of Judas Priest, who used them first as an opening act in the U.K., and later to help conquer deeper parts of Europe. Accept, while never having a massive commercial breakthrough in the U.S., did garner raves from most of the metal writers of the day, and even came to be called “the best metal import from Germany since the Scorpions” by Kerrang! Magazine.
While singing, Dirkschneider’s accent does sound a little heavy, but the band itself certainly knows how to rock with brutal, simple riffs. Six of the ten tracks featured here, including London Leatherboys, Turn Me On, Fight it Back and Losers & Winners, are from the aforementioned, sexually charged Balls to the Wall record. The remaining tracks are from a combination of their earlier four discs.

Tracklist: 1. Fast As a Shark, 2. Losers & Winners, 3. Turn Me On, 4. London Leatherboys, 5. Balls to the Wall, 6. Head Over Heels, 7. Flash Rockin' Man, 8. Princess of the Dawn, 9. Guitar Solo, 10. Neon Nights, 11. Fight It Back.

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Manowar - Gloves of Metal (1983)


Easily one of the finest music videos ever made - from the loudest band ever to walk the earth! Hail & Kill!

Tuesday, April 24, 2007

The Sonics - Psycho-Sonic (2003)

If you think Punk started in London in 1977 or New York in 1975 or even Detroit in 1969, you had better take a listen to this. Punk started in the early sixties in America's Pacific Northwest. End of story. This disc contains the songs (along with the Kingsmen's "Louie Louie" - a track that is covered here, albeit with the wrong chords) that launched a thousand garage/punk bands. This is what you get when you put a bunch of spotty, angry, musically-challenged young men together in a dank cellar with some Danelectro guitars, Silvertone amps, a Farfisa organ and some crappy drums. It is, even almost 40 years later, truly magical. This is definitely music that parents don't want their kids to hear. Actually, come to think of it, maybe it's music that kids don't want their parents to hear.
The Sonics' sound is noticeably rougher, cruder, and more brutal than that of their musical peers. Although they had a fairly standard instrumental line up for the time, The Sonics made their unique sound with wild arrangements, often disturbing lyrics, peppered with screaming and howling, and electric guitars played through amplifiers customized to achieve the harshest tones possible. Although their chief period of success was coincident with the release of Gibson's first fuzzbox, The Sonics' fuzzy sound was their own creation.
The songs they played were a mixture of garage rock standards ("Louie, Louie"), early rock and roll ("Jenny, Jenny") and original compositions such as "Strychnine", "Psycho", and "The Witch", all based upon simple chord sequences, played hard and fast.
The lyrics of The Sonics' original material dealt with early '60s teenage culture; cars, guitars, surfing, and girls (in songs like "The Hustler" and "Maintaining My Cool") alongside darker subject matter such as drinking strychnine for kicks, witches, psychopaths, and Satan (in the songs "Strychnine", "The Witch", "Psycho", and "He's Waiting", respectively).

Source: Amazon.co.uk & Wikipedia

Tracklist: 1. The Witch, 2. Boss Hoss, 3. He's Waitin, 4. Psycho, 5. Louie Louie, 6. Strychnine, 7. Cinderella, 8. Shot Down, 9. Have Love Will Travel, 10. Don't Be Afraid of the Dark, 11. Dirty Robber, 12. Keep a Knockin', 13. Money (That's What I Want), 14. The Hustler, 15. Jenny Jenny, 16. Hitch Hike, 17. Roll Over Beethoven, 18. Skinny Minnie, 19. Do You Love Me, 20. Walking the Dog, 21. Good Golly Miss Molly, 22. Night Time Is the Right Time, 23. It's Alright, 24. Let the Good Times Roll, 25. Don't You Just Know It, 26. Since I Fell For You, 27. The Witch (Alternate), 28. Psycho (Live), 29. The Witch (Live).

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Monday, April 23, 2007

Hollywood Brats - Hollywood Brats (1973/80)

Like a less famous British cousin of the New York Dolls, the Hollywood Brats also had a taste for feather boas, glitter, and tough rock & roll played with rough-and-tumble abandon. Although they only recorded one full-length album that was not released until after they had broken up, the band is recognized as a pioneer of punk.
The first incarnation of the Hollywood Brats surfaced in London in 1971 when singer Andrew Matheson, Norwegian keyboard player Casino Steel, and drummer Lou Sparks began playing regular gigs as the Queen. When Freddie Mercury's band of the same name came on the scene, the original Queens wouldn't let him strong-arm them into a name change until his outfit scored a hit and they were forced to adopt a new handle, becoming the Hollywood Brats. In 1972, guitarist Eunan Brady came on board after meeting Matheson through his Melody Maker ad seeking a guitarist "drunk on scotch and Keith Richards"; with Wayne Manor on bass, the lineup for this raucous glam rock unit was in place. The band crashed and burned their way through regular live sets in the summer of 1973, when their flamboyant makeup and female attire, à la the New York Dolls and David Bowie, and attitude-laden bluesy rock began to attract a following. As Brady recalled in his liner notes for the 1999 Cherry Red Records re-release of the band's album, "The whole point of the Brats was to annoy and disturb!" Championed by Keith Moon, the band landed a deal with NEMS Records and recorded an album of pure rock fun with fuzzy, garage-flavored guitar solos, cowbell accents, and snotty lyrics populated with gold diggers and tramps. No label wanted to touch the finished product, however, and the recording languished until Mercury Records released the material as Grown Up Wrong in 1975, and Cherry Red Records issued their single "Then He Kissed Me" in 1979 and re-released the full-length album in 1980. But the band had self-destructed years earlier, with Matheson going on to record with Tools and Wreckless Eric's Last Orders, and Steel joining London SS briefly before Mat Dangerfield grabbed him to form the Boys in 1976.
Source: Answers.com

Tracklist: 1. Chez Maximes, 2. Another School Day, 3. Nightmare, 4. Empty Bottles, 5. Courtesan, 6. Then He Kissed Me, 7. Tumble With Me, 8. Zurich 17, 9. Southern Belles, 10. Drowning Sorrows, 11. Sick On You.

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